英文导游词样本（精选3篇）
英文导游词样本（精选3篇）
英文导游词样本篇1
Welcometoanhuiwenbogarden!I'myourguide.Mylastnameisx.youcancallmexiaox.Tomakeiteasierforyoutovisit,letmeintroduceyoufirst.
Visitthefivethousandyearsexpogardenneartheindustrialparkofthepeople'seastroadinthecountytown.Cometothedestination,arowofbluebrickandblacktilesofthehuiarchitectureofthewallisreflectedintheeye,thearchwayofthegateiswrittenafewwordsofthebigwords-"fivethousandyearswenbogarden".
Ontheleftsideofthedoorisarowofhuizhouhouses,butallofthemareglassdoors.It'sprobablytheexhibitionroom.Wedidn'tgoin.Ontherightisahugerockthatsays"thepastoftaihulake",whichattractedourattention.Seeastoneinfrontofthebuildingwitharowofhouses,woodendoor,woodenwindow,HeiWa,thedoorbypeasantcommonlyusedhandfan,ricebasket,plough,rakeandotherobjects,mottledsurfacesalsohangingonthewallofcorn,garlic,brushwitheye-catchingsigns,thecowmuckrakeofthedark!Theoldhouses,whicharehardtoseeinthesevillages,areveryunattractive.Whyaretheybuilthere?Fathertoldus,thisisaccordingtotheruralappearanceofthe1960sand1970s,builtinhereisforeducationchildren'shappinesshard-won!Ithink:thesearethememoriesofmyfather'schildhoodinthecountryside.
Ontheleftsideoftherootcarvinggarden,seearowoflargeandsmallpiecesofcarvedstoneneatlyplacedinthecorridor,attractingalotofvisitorstostopandwatch.Thesecarvedpiecesareofdifferentshapesandshapes:theyounggirlwithamorousfeelings,theelderlywithalongbeard,thebutterflywithwings,thewaterbuffalowiththeheadandtail.Allislifelike,lifelike.Look,themaitreyaopenedhismouthwideandlaughed,asiftherewassomethinghappythatwouldmakehimsmileallhislife;Ah,crocodile!Thepointymouth,thelongtail,andmajesticallyonastone,seemedtobedemonstratingtous;Whatimpressesmemostisthekindof"oldmanoflongevity",whoseforeheadisdeeplylocked,andhiseyesarebright,hischestislong,hisexpressionissereneandheisamazing!Whosaysthatarottenwoodcan'tbecarved?Theordinaryrootsofthetree,carvedbythesculptor,havebecomesuchawonderfulworkofart!
Then,weascendedthestepsandvisitedthescenicspotssuchasthestonegarden,thebonsaigardenandthe"culturalanqing".Thenaturaltextureofthelingbistoneinthegardenisinspiring;Therearethousandsofpottedlandscapesinthepottedlandscapegarden,whichmakethetouristslingeron.Walkingintothe"culturalanqing"scenicspot,itisanotherscenebeforeus.Asmyfatherexplainedtousashewalked,"culturalanqing"turnedouttobeacondensedversionofourcultureandhistory.Here,ImetChenduxiuofhuining,zhanghatingwaterofqianshanandzhaopuchuoftaihulake.Iknewthattongchenghad"sixfootlane"andthemovingstoryof"peacocksoutheastflying"andsoon.Movingtothescene,wefeelasifwehaveenteredalonghistoryofthecultureofthelongscroll,thememoryisendless.
Thereissomuchsceneryinwenbogarden!Myfathertoldmethatwenbogardenisstillunderconstruction,andwhatweseetodayisonlyasmallpartofit.Listeningtomyfather'sintroduction,lookingattheslogan"givemeoneday,returnyourmillennium",Ican'thelpbuthaveabiggerexpectationfortheexpogarden!Iwillseeyouagainwhenyouarefinished.
英文导游词样本篇2
Articlefivethousandexpogardennearthecountypeople'seastroadindustrialpark,isalsoafewhundredmetersawayfrommyhome,soIoftengotheretoplay,seeandthinkaboutfivethousandyearshistoryofcivilizationinourcountry,becausehasbeenunderconstruction,everytimeIcanseenewattractionstothecampus.Thisyear"MayDay",thewenbogardenofficiallyopened,thousandsoftouristsfromallovertheworldgatheredhere,savorthisheavyChinese5,000yearsofcivilization.
Withthestreamofpeople,Iwentbacktowenbogardenagainandfelttheprofoundandprofoundcultureofthefivethousandyears.Twogiantkirinzhangwenexpogardenthedoorwithbigmouth,letapersonfeelakindofmajestyintothemainentrancetothedozensofthesteps,liketothethrone,jacarandadoorcarvedwithelegantandstrongcharacters,"expogarden"infivethousand.
Ontheleftandrightsidesoftheentrancearethehighwalls,andononesidearethefulltextofthe"threewords",inscribedwiththeword"fu"indifferentfonts.Takeafewstepstotheinside,panguthereconstructionoftheearthisinfrontoftheview,seepangutakeanaxestandbetweentwosemicircle,thesymbolicworldisborn.Thefrontwallissquare,andsomeofthemarewrittenbackwardsinordertorepresentoneofthefourgreatinventions:typography,whichshowsthenatureofChinesepeople.Walkingontheroutetothefive-thousand-yearcivilization,youcanlearnalotbywalkingoneverystonethatyouseeonyourfeet,withyourmapofeveryprovinceandeverycity.Thenitcametothe"dragonworld"square,andthedragonwasflyinginthesky.
Afterthesquare,thesculptureofmanyhistoricalfigurescameintoview,fromthethreeKingsandfiveemperorsofpangu,aswellassomepeoplewithgreatinfluenceonhistory,suchasConfuciusandlaozi.Whatisinterestingisthatthegrandoldmanislikethesidewith"thefirstone",whichistoattracttourists?Yousee,alotoftouristsarerushingtotakepicturesofthefirstfeelingoftheoldman.
Walkedalongthe"GreatWall",see"huaguomountain",cametothe"xia"metalongthewayofhuainingChenduxiu,buriedhillofzhanghenshui,taihulake,atthebeginningofknowledgethetongcheng"sixfeetlane","thepeacockfliessoutheast"buriedhill.Unconsciously,the"wanjie",whichstandsattheentranceofhuizhouarchitecture,standsonthestreet,withthesculptureof"handsholdingchopsticksandspoons",asiftoexplaintopeople"peopleeatfortheday"...Therearemanyscenicspotsinwenbogarden,butthelandmarkoftheparkshouldbethegoldendragonthatsitsonthepillar,whichisnotthesymboloftheChinesenation!
Outoftheexpogarden,IwasdeeplyimpressedbytheprofoundculturalheritageofChinafor5,000years,andIwasdeeplyimpressedbythewisdomandworkoftheskilledcraftsmaninthefivethousandyears.Itreallyshows"givemeaday,returnyouathousandyears"ofgenerosity!
英文导游词样本篇3
emperorqinshihuang’smausoleumandtheterra-cottawarriorsandhorsesmuseum
emperorqinshihuang(259-210b.c.)hadyingashissurnameandzhengashisgivenname.henametothethroneoftheqinatage13,andtookthehelmofthestateatageof22.by221b.c.,hehadannexedthesixrivalprincipalitiesofqi,chu,yan,han,zhaoandwei,andestablishedthefirstfeudalempireinchina’shistory.
intheyear221b.c.,whenheunifiedthewholecountry,yingzhengstyledhimselfemperor.henamedhimselfshihuangdi,thefirstemperorinthehopethathislatergenerationsbethesecond,thethirdeventheonehundredthandthousandthemperorsinproperordertocarryonthehereditarysystem.sincethen,thesupremefeudalrulersofchina’sdynastieshadcontinuedtocallthemselveshuangdi,theemperor.
afterhehadannexedtheothersixstates,emperorqinshihuangabolishedtheenfeoffmentsystemandadoptedtheprefectureandcountysystem.hestandardizedlegalcodes,writtenlanguage,track,currencies,weightsandmeasures.toprotectagainstharassmentbythehunaristocrats.emperorqinshihuangorderedthegreatwallbebuilt.allthesemeasuresplayedanactiveroleineliminatingthecauseofthestateofseparationanddivisionandstrengtheningtheunificationofthewholecountryaswellaspromotionthedevelopmentofeconomyandculture.theyhadagreatanddeepinfluenceuponchina’s2,000yearoldfeudalsociety.
emperorqinshihuangorderedthebooksofvariousschoolsburnedexceptthoseoftheqindynasty’shistoryandculture,divinationandmedicinesinanattempttopushhisfeudalautocracyintheideologicalfield.asaresult,china’sancientclassicshadbeendevastatedanddestroy.moreover,heonceordered460scholarsbeburiedalive.thoseeventswerelatercalledinhistory“theburningofbooksandtheburyingofconfucianscholars.”
emperorqinshihuang,forhisownpleasure,conscribedseveralhundredthousandconvictsandwentinforlarge-scaleconstructionandhadoversevenhundredpalacesbuiltintheguanzhongplain.thesepalacesstretchedseveralhundredliandhesoughtpleasurefromonepalacetotheother.oftennobodyknewwhereherangingtreasuresinsidethetomb,wereenclosedalive.
emperorqinshihuang’smausoleumhasnotyetbeenexcavated.whatlookslikeinsidecouldnolybeknownwhenitisopened.however,thethreepitsoftheterra-cottawarriotexcavatedoutsidetheeastgateoftheouterenclosureofthenecropoliscanmakeoneimaginehowmagnificentandluxuriousthestructureofemperorqinshihuang’smausoleumwas.
no.1pitwasstumbleduponinmarch1974whenvillagersofxiyangvillageofyanzhaitownship,lintongcounty,sankawell1.5kmeastofthemausoleum.in1976,no.2and3pitswerefound20mnorthofno.1pitrespectivelyafterthedrillingsurvey.theterra-cottawarriorsandhorsesarearrayedaccordingtotheqindynastybattleformation,symbolizingthetroopskeepingvigilbesidethemausoleum.thisdiscoveryarousedmuchinterestbothathomeandabroad.in1975,amuseum,housingthesiteofno.1andcoveringanareaof16,300squaremeterswasbuiltwiththepermissionofthestatecouncil.themuseumwasformallyopenedtopubliconoct.1,thenationalday,1979.
no.1pitis230meterslongfromeasttowest,62mwidefromnorthtosouthand5mdeep,coveringatotalareaof14,260squaremeters.itisanearth-and-woodstructureintheshapeofatunnel.therearefiveslopingentrancesontheeasternandwesternsidesofthepitrespectively.thepitisdividedintoelevencorridorsbytenearthenpartitionwalls,andthefloorsarepavedwithbricks.thickrafterswereplacedontothewalls(butnowonecanonlyseetheirremains),whichwerecoveredwithmatsandthenfinesoilandearth.thebattleformationoftheqindynasty,facingeast.intheeastendarearrayedthreelinesofterra-cottawarriors,70piecesineach,totaling210pieces.theyaresupposedtobethevanoftheformation.immediatelybehindthemare38columnsofinfantrymenalternatingwithwarchariotsinthecorridors,eachbeing180mlong.theyareprobablythemainbodyoftheformation.thereisonelineofwarriorsintheleft,rightandwestendsrespectively,facingoutwards.theyareprobablytheflanksandtherear.therearealtogether27trialtrench,itisassumedthatmorethan6,000claywarriorsandhorsescouldbeunearthedfromno.1pit.
no.2pitsisabouthalfthesizeofno.1pit,coveringabout6,000squaremeterstraildiggingsshowthisisacompositeformationofinfantry,cavalryandchariotsoldiers,fromwhichroughlyover1,000claywarriors,and500chariotsandsaddledhorsescouldbeunearthed.the2,000-year-oldwoodenchariotsarealreadyrotten.buttheirshafts,crossyokes,andwheels,etc.leftclearimpressionsontheearthbed.thecopperpartsofthechariotsstillremain.eachchariotispulledbyfourhorseswhichareoneandhalfmetershighandtwometreslong.accordingtotextualresearch,theseclayhorsesweresculpturesafterthebreedintheareaofhexicorridor.thehorsesforthecavalrymenwerealreadysaddled,butwithnostirups.
no.3pitcoversanareaof520m2withonlyfourhorses,onechariotand68warriors,supposedtobethecommandpostofthebattleformation.now,no.2and3pitshavebeenrefilled,butvisitorscanseesomeclayfiguresandweaponsdisplayedintheexhibitionhallsinthemuseumthathadbeenunearthedfromthesetwopits.thefloorsofbothno.1and2pitswerecoveredwithalayerofsiltof15to20cmthick.inthesepits,onecanseetracesofburntbeamseverywhere,somerelicswhichweremostlybroken.analysisshowsthatthepitswereburneddownbyxiangyu,leaderofapeasantarmy.alloftheclaywarriorsinthethreepitsheldrealweaponsintheirhandsandfaceeast,showingemperorqinshihuang’sstrongdeterminationofwipingoutthesixstatesandunifyingthewholecountry.
theheightoftheterra-cottawarriorsvariesfrom1.78m,theshortest,to1.97m,thetallest.theylookhealthyandstrongandhavedifferentfacialexpressions.probablytheyweresculptedbycraftsmenaccordingtorealsoldiersoftheqindynasy.theyorganicallycombinedtheskillsofroundengraving,bas-reliefandlinearengraving,andutilizedthesixtraditionalfolkcraftsofsculpturing,suchashand-moulding,sticking,cutting,paintingandsoon.theclaymodelswerethenputinkilns,bakedandcolour-painted.astheterra-cottafigureshavebeebburntandhavegonethroughthenaturalprocessofdecay,wecan’tseetheiroriginalgorgeouscolours.however,mostoftheterra-cottafiguresbearthetraceoftheoriginalcolours,andfewofthemarestillasbrightasnew.theyarefoundtobepaintedbymineraldyestuffsofvermilion,brightred,pinkdarkgreen,powdergreen,purple,blue,orange,blackandwhitecolours.
thousandsofrealweaponswereunearthedfromtheseterra-cottaarmypits,includingbroadknives,swords,spears,dagger-axes,halberds,bows,crossbowsandarrowheads.theseweaponswereexquisitelymade.someofthemearestillverysharp,analysesshowthattheyaremadeofalloysofcopperandtin,containingmorethantenkindsofothermetals.sincetheirsurfacesweretreatedwithchromium,theyareasbrightasnew,thoughburiedundergroundformorethan2,000years.thisindicatesthatqindynasty’smetallurgicaltechnologyandweapon-manufacturingtechniquealreadyreachedquiteahighlevel.
indecember1980,twoteamsoflargepaintedbronzechariotsandhorseswereunearthed20metreswestofthemoundofemperorqinshihuang’smausoleum.thesesingleshaftfour-horsechariotseachcomprises3,462spareparts,andhasabodywithtwocompartments,onebehindtheother,andanellipticalumbrellalikecanopy.thefourhorsesharnessedtothechariotare65-67centimeterstall.therestoredbronzechariotsandhorsesareexactimitationsoftruechariot,horseanddriverinhalflife-size.
thechariotsandhorsesaredecoratedwithcoloureddrawingsagainstwhitebackground.theyhavebeenfittedwithmorethan1,500pieceseofgoldandsilversanddecorations,lookingluxurious,splendidandgraceful.probablytheyweremeantfortheuseofemperorqinshihuang’ssoultogooninspection.thebronzechariotsandhorsesweremadebylostwaxcasting,whichshowsahighleveloftechnology.forinstance,thetortoise-shell-likecanopyisabout4mmthick,andthewindowisonly1mmthickonwhicharemanysmallholesforventilation.accordingtoapreliminarystudy,thetechnologyofmanufacturingthebronzechariotsandhorseshasinvolvedcasting,welding,reveting,inlayingembeddingandchiseling.theexcavationofthebronzechariotsandhorsesprovidesextremelyvaluablematerialanddataforthetextualresearchofthemetallurgicaltechnique,themechanismofthechariotandtechnologicalmodelingoftheqindynasty.
no.2bronzechariotandhorsesnowondisplaywerefoundbrokeninto1,555pieceswhenexcavated.aftertwo-and-halfyears’carefulandpainstakingrestorationbyarchaeologistsandvariousspecialists,theywereformallyexhibitedinthemuseumonoctober1,1983.no.1bronzechariothandhorsesareondisplayfrom1988.